Manifesti raccolti con dicitura "Design/3" (1959 - 1990)

Unità

Tipologia: fascicolo o altra unità complessa

Segnatura definitiva: MR - 009

Sono presenti i seguenti manifesti (ordinati per data):
- Scatola di manifesti spediti da Aaron Burns (New York City, 28 giugno 1966): “Doric”, The composing room inc. (s. d.); “Gothic”, The composing room inc. (s. d.); “Caslon”, The composing room inc. (s. d.); “Gothic condensed”, The composing room inc. (s. d.); “Ludlow Garamond ligh italic”, The composing room inc. (s. d.); “Typoralph and paper”, The composing room inc. (s. d.); “Franklin gothic extra condensed”, The composing room inc. (s. d.); “18 pt. types for machine composition”, The composing room inc. (s. d.); “Typo graphy USA”, Directors club 5th awards exinbition for typographic excellence" (1959);“Call call”, Tenth international design conference in Aspen (1960); “Herb Lu Bà Lin’s”, International type face design competition (1966); “Go to hell”, International type face design competition (1966); “George Eliot”, International type face design competition (1966); “Benjamin Franklin”, International type face design competition (1966); “Oscar Fingall”, International type face design competition (1966); “Anonymous”, International type face design competition (1966); “Clifton Fadiman”, International type face design competition (1966); “The devil’s dictionaty”, International type face design competition (1966); “Maurice Chevalier”, International type face design competition (1966); “John Stuart Mill”, International type face design competition (1966); “Hector Hugh Munro”, International type face design competition (1966); “Edmund Gosse”, International type face design competition (1966); “Henry Ford”, International type face design competition (1966); “Ely Culbertson”, International type face design competition (1966); “Robert Moses”, International type face design competition (1966); “Herbert J. Muller”, International type face design competition (1966); “Comunication: the image speaks”, 9th international design conference in Aspen (1959); “My country’ ties of thee”, National type face design competition (1965); “Marriage”, National type face design competition (1965); “Speech silence”, National type face design competition (1965); “Eat first”, National type face design competition (1965); “Form ever follows function”, National type face design competition (1965); “Thirty days hath september” (1965); “Lord Byron”, National type face design competition (1965); (1959 – 1966);
- Cartella Magister; un poster per autore: Franco Grignani, Giancarlo Iliprandi, Ilio Negri, Till Neuburg, Aldo Novarese, Luigi Oriali, Pino Tovaglia (1968);
- “Stop”, Società Nebiolo di Torino (1970);
- “Call for entries”, New York art directors club (1990);
- “Nella casa”, AEO (s. d.);
- “Anno domini”, Bolles Grafiska Plansch (s. d.);
- “La creatività contemporanea è una forma di obesità culturale”, Alsa sas di Milano (s. d.);
- “ICTYA”, International center for the typographic arts (s. d.);
- “A annual art directors club Milano”, Art directors club Milano (s. d.);
- “Gruppo grafico 98/1000”, Committente non indicato (s. d.);
- “Immagini sintetiche”, Mid design comunicazioni visive (s. d.);
- “Paper in action”, Star paper mills ltd (s. d.);
- “Klassifikation der Druckschiriften”, CG Compu graphic (s. d.).

Link risorsa: http://www.archimistaweb.polimi.it/fonds/688/units/44108